The upcoming 94th Annual Academy Awards Ceremony scheduled to air on ABCon March 27 could be a Starry, Starry Night for Latino Hollywood. This year saw an amazing array of Latino talent become strong contenders in several different competitive categories plus the emergence of one exceptionally bright star in the Latino Hollywood night sky. Here’s a look at the nominees, their categories, and their chances of taking home the coveted gold-plated statue.
Best Animated Feature
Two good to be true? There are two excellent Disney Studio animated feature films up for Best Animated Feature with Latino talent:
(Photo: Alberto E. Rodriguez/Getty Images for Disney)
Encanto the Latino-themed story about the Columbian family, the Madrigals. Directed by Byron Howard and Jared Bush who also shares the screenplay credit with Charise Castro Smith. Yvette Merino is one of the producers and the music is by Germaine Franco.
Raya and the Last Dragon is directed by Mexico City-born Carlos López Estrada along with Don Hall both nominated for Best Director.
There is frequently the possibility two Disney Studio nominees will cancel each other out. But these are two very different animated features with radically different approaches to animation. Encanto uses a more traditional narrative animation style that is the hallmark of Disney animation. It’s nice to see the characters in Encanto are unmistakably and decidedly Latino. There are also several marvelous songs and musical segments in Encanto.
Raya and the Last Dragon, on the other hand, is strictly a fantasy narrative. The animation of the human characters in Raya and the Last Dragon is so life-like and realistic in their facial expressions you feel as though they could jump off the screen, sit next to you on the couch and enjoy the story with you. The so-called “last dragon”, voiced by that crazy, rich, funny Asian comic actress, Awkwafina, is an impish feathered serpent who appears to be half Big Bird and half Quetzalcoatl.
What Encanto and Raya and the Last Dragon have in common are two strong female lead characters and stories with underlying messages of hope, detterminationand the triumph of the human spirit.
Best Song
Is there anything this guy can’t do? The multi-talented Lin-Manuel Miranda gets a richly deserved Oscar nomination for the Encanto song “Dos Oruguitas”. It boggles the mind to ponder what this actor, producer and musical theater genius would have produced had he been at MGM during the Golden Age of Hollywood Musicals.
Best Supporting Actress
It’s like deja vu all over again. Ariana DeBose is well-positioned to accomplish an acting awards hat fete by taking the Oscar for Best Supporting Actress in West Side Story. As the fiery Anita, DeBose overshadows the two leads in the film and overpowers the screen with her explosive, show-stopping performance of America.
Sound familiar? It should because it is the exact same thing Rita Moreno did sixty years ago when she won the Best Supporting Actress award for her dynamic dominating portrayal of Anita in the 1961 version of West side Story. DeBose has already won the Golden Globe and SAG awards and is the odds on favorite to win the Oscar. The super talented DeBose will hopefully follow in Moreno’s footsteps and become a member of the exclusive EGOT Club, winner of an Emmy, Golden Globe, Oscar and Tony. It will be like deja vu all over again…again.
Best (Overlooked) Supporting Actor
Eugenio Derbez was superb as the eccentric but caring and nurturing Mexican music choir teacher, Bernardo Villalobos, in CODA. Derbez puts a nice Latin American spin on his Mr. Holland’s Opus-like character. But the award will likely go to his deaf actor co-star, Tony Kotsur, in a sentimental well-deserved win.
Best Actress
Behold a pale dark horse wearing way too much mascara. The Best Actress race is always a tough one to handicap. There are so many fine actresses working today and this year’s field of Oscar contenders is proof of that.
Penelope Cruz gets her fifth Academy Award nomination for her performance in Parallel Mothers. Cruz won Best Supporting Actress in 2018 for her work in Woody Allen’s Vicky Cristina Barcelona. But the beautiful Spanish actress faces stiff competition from perennial Academy favorite, Nicole Kidman, for her stellar performance as Lucille Ball in Being the Ricardos. Kidman won the Best Actress Oscar for The Hours in 2002 for her haunting portrayal of tragic writer Virginia Woolf. Kidman has proven her biopic acting chops.
But I believe the Academy is going to ignore the subtle and the sublime of Parallel Mothers and “Cruz” right past Penelope and go for the quirky and give the Oscar to Jessica Chastain for The Eyes of Tammy Faye. Tammy Faye’s grotesque garish harlequin eye makeup could paralyze a clown dead in his tracks and intimidate some Academy members to vote for her.
Best Actor
Javier Bardem should be a shoo-in to win the Oscar for his performance as Desi Arnaz in Being the Ricardos. Bardem shows us the complicated layers that made up this often misunderstood and underappreciated man who was the backbone of I Love Lucy, the Desilu Production empire, and an early TV sitcom innovator. Arnaz was much more than a chronic womanizer, conga drum playing Cuban bandleader singing Babaloo and delivering his lines in his signature Cuban accent. He was an astute businessman, tough negotiator and eternally devoted to Lucille Ball. Bardem shows us all those colors brilliantly in Being the Ricardos.
Bardem’s competition comes from two popular Black Hollywood favorites: Will Smith in King Richard and Denzel Washington in The Tragedy of Macbeth. The Academy loves anything from the British Isles and feels it must be good due to that cultured British accent. English actor, Benedict Cumberbatch, whose name alone conjures up fish ‘n chips, is nominated for his role in Jane Campion’s The Power of the Dog.
But like Glen Close in Fatal Attraction, Javier Bardem will not and should not be ignored. If he is ignored and doesn’t win the Oscar for Best Actor, the Academy will have a lot of ‘splaining to do!
Best (Overlooked)Director
Mexicans coming across the border and taking away those good paying jobs. Guillermo del Toro’s remake of Nightmare Alley has been nominated for Best Picture, Best Cinematography, Best set Design and Best Production Design. Somehow the maestro, the orchestra conductor, the artist who puts all those musical notes, colors into a finished work of art resulting in a Best Picture nomination gets overlooked. Critics praise Guillermo del Toro, an acknowledged film auteur, for remaking Nightmare Alley with a modern film noir flare and a surprise ending.
The past few years have seen Mexican born directors dominate the Best Director category: Alfonso Cuarón (Gravity, Roma), Alejandro González Iñárritu (Birdman, The Revenant and del Toro won in 2018 for The Shape of Water.
There are no directors with Spanish surnames on this year’s list of nominees for Best Director. Jane Campion (The Power of the Dog) is Variety’s best bet to win. Bueno, asi es la vida.
Best Picture
Deja vu all over again, part three? West Side Story which is nominated for seven Academy Awards including Best Picture could make motion picture history on March 27 and culminate what could be a glittering, success story for Latino Hollywood
Should West Side Story take home the big cinematic enchilada on Oscar night, it will be the first time in the Academy Awards 94-year history a virtual remake of a movie that had previously won Best Picture wins again.
Sixty years ago, Rita Moreno was the vanguard for Latino pride when she won Best Supporting Actress for her work in West Side Story. In a very moving, emotionally charged scene in the new version of West Side Story, Moreno is the voice of Latino hopes and dreams for Oscar night when she sings There’s A Place For Us.
The 94th Annual Academy Awards airs on ABC on March 27 (Sunday) at 8 PM ET / 5 PM PT
