It’s not just a movie. Blood In, Blood Out is a way of being. I should know. I’ve seen the 1993 movie, and it’s changed my being forever. And I’m not alone.

As the proud member, and a “top contributor,” of Facebook fan groups solely devoted to the 30-year-old film, I know first-hand how BIBO (that’s short for Blood In, Blood Out) is top of mind for over 90,000 of us on the social media platform (and beyond, of course).

Throwing around a “porkchop” reference or a “vatos locos forever” salutation is a way of life. It’s the essence of who we are. And so many of us loco strangers from around the world wouldn’t have this bond if it wasn’t for a movie about Chicano gang life in America’s prison system. Seriously.

Blood In, Blood Out is a way of being

“This movie made me want to move to East LA right now,” Comedian Josh Pray announced in a social media post with over 8.5M views. Like many of us, he admitted to never being the same after watching the “cult” classic in his over 3-minute viral clip. “Blood In, Blood Out should be in the National Movie History Hall of Fame, yo.”

“It has become so much larger, obviously, than the original concept.” Enrique Castillo, the actor who played Onda gang leader, Montana, told me in a recent interview. Castillo’s a really big deal for us BIBO fans, who see him as the heart and soul of the gritty film.

Where are my manners? Allow me to formally introduce the epic film to those not familiar with this masterpiece. Blood In, Blood Out is a crime drama directed by Taylor Hackford, and written by Poet (and former convict) Jimmy Santiago Baca and Jeremy Iacone. The movie follows the lives of three Mexican-American cousins — Miklo, Paco, and Cruz — as they navigate the world of gangs in East Los Angeles. There’s more. So much more.

The film spans several decades, exploring the struggles and choices faced by the three cousins. To prove how accurate and authentic it is, Blood In, Blood Out primarily takes place and is filmed in East Los Angeles and at San Quentin State Prison, with real prisoners on the set. When one of the cousins, Miklo, joins a powerful prison gang called La Onda, his life (and ours) are never the same.

“I knew that the Mexican American community was really going to embrace this film,” Castillo told me. (And, yes, as a Blood In, Blood Out fan, interviewing gang leader Montana about the film was amazing, and intimidating since Castillo’s voice is Montana’s. The two are eerily similar in other ways, I discovered, in real life.)

Filming at the prison “was grueling, disturbing, and draining” Montana, I mean, Castillo, told me. But I can attest that watching the prison scenes was equally as nerve-wracking for the viewers as well.

But there’s so much more to Blood In, Blood Out than witnessing gang life in prison. Yeah, it provides a gritty portrayal of gang culture and the impact it has on individuals and their communities. But it also carefully delves into themes of loyalty, family, identity, and the consequences of one’s choices.

So, what causes so many of us to bond over a 30-year-old film about “Chicanoism” in East Los Angeles? Quite simply: it’s relatable. Yeah, La Onda and life in San Quentin State Prison and the streets of East Los Angeles is oddly something a lot of us can identify with. Or maybe it’s the family part we’re attracted to.

“If you break it down, it’s all about familia,” Proud BIBO Film Historian (and Castillo’s wife of 42 years) Bel Hernandez explains, “This is a story about us.”

The test of time has proven that the story is a family classic, being passed down from parents to their children – no matter how non-PG the film may be – giving it a three-decade lifespan. “The fans do not know it as a cult classic. They consider it a classic,” Hernandez told me. “And children watch it with their parents….it’s almost become a right of passage.”

As for the actors, many will always be associated with the film, which became a launching pad for many of them. “It’s the project that I’m most identified with,” Castillo explained.

Some see the film as the Latino equivalent of the classic The Outsiders for its contribution to so many acting careers. Blood In, Blood Out served as a launch pad to further the careers of many actors, including Damian Chapa, Jesse Borrego, Danny Trejo, Benjamin Bratt, Billy Bob Thornton, Lupe Ontiveros, Raymond Cruz – who all starred in the classic.

Today, Castillo said he and the other actors are still spotted by the loyal fans. Luckily, to the delight of all of us, they still sign autographs and attend events celebrating the film. One recent event was held at East Los Tacos, a restaurant named and decorated by its owners, Erika and Joaquin Armenta, as an homage to the 1993 film. “BIBO is a staple to East Los Angeles. They go hand in hand.” Erika Armenta explained. “When you think of East Los Angeles, Blood In, Blood Out comes to mind.”

But the movie, like its protagonists, wasn’t given a fair shot from the get-go, the film’s historian explained. Executives at Hollywood Pictures, a division of The Walt Disney Studios were afraid that the film Blood In, Blood Out – named after the code meaning a gang member must kill to get in a gang and die to leave the gang – would cause more violence upon its release. “They were afraid there was going to be trouble,” Hernandez said. “Because the LA riots had just happened.”

After the debut of the 1992 film American Me, a drama also about East Los Angeles gangs and starring James Edward Olmos – in addition to the devastating 1992 Los Angeles riots (stemming from the beating of Rodney King), Blood In, Blood Out received what some believe was unfair scrutiny at the time.

To fix any potential problems, the film was renamed Bound by Honor and given a limited distribution. Then it was quietly pushed aside by the film’s parent company Disney, some believe. Then, with word of mouth and eventually social media, a surge of fans over a 30-year span has spread the BIBO word.

And now it can be found everywhere: TikTok, YouTube, Facebook, restaurants, film festivals, fan events, online t-shirt storefronts, and beyond. Not just an LA thing, thousands worldwide have been boasting its significance from Los Angeles to Tokyo to Amsterdam, helping the film gather up awards along the way.

What does the future hold for Blood In, Blood Out? Castillo seems to know, explaining: “It will be discovered and rediscovered….it has stood the test of time and will only grow in popularity.”

And a bright future for the film can only mean one thing for fans everywhere: Vatos locos forever!

Cathy’s writing has appeared in The Washington Post Magazine, USA Weekend, People, Romper.com, The Miami New Times, and dozens of other media publications and online sites. Her opinion pieces have appeared on Today.com, El Tiempo Latino, and more.

(Vatos locos forever!)

This article was originally published on Nuestrostories.com.

The post ‘Blood In, Blood Out’ Fan: Thousands Worldwide Celebrate the Classic Film’s 30-year Anniversary first appeared on .

By Roberto Leal

Benjamin Bratt found himself in a number of supporting roles in the ’80s and early ‘90s in films like Juarez, Nasty Boys, One Good Cop, and a few stand-out pivotal roles in Blood In, Blood Out, Demolition Man, and A Clear and Present Danger. 

On television, Bratt landed the role of Detective Ray Curtis appearing in five seasons of the long-running NBC hit series, Law & Order. It was this role that earned him much richly deserved international recognition and critical praise. Detective Ray Curtis, as played by Bratt, was a proud Latino with smoldering passions just beneath a cool, seemingly detached demeanor that often erupted into rage and sometimes violence. Detective Curtis was not above roughing up a suspect or employing extra-legal tactics to secure justice for a victim. 

That hard-edged character he created on Law & Order became the signature persona that has served him well in all his film and TV roles.

After Law & Order

But in 1999, Bratt decided it was time to leave Law & Order. “I’ve felt like it was time to get back home to my family,” Bratt told the New York Post. “How do you walk away from the best job in the world and a group of people that you’ve grown to love? It’s not easy, and it was an extremely difficult decision that I had to make.”

Bratt didn’t stay home clipping coupons or watching telenovelas very long. Post Law & Order he put his unique acting skills into such films as, Miss Congeniality, Traffic, Catwoman, Snitch and Cloudy with a Chance of Meatballs. Most recently Bratt also used his voice acting in the animated feature, Despicable Me and the Academy Award-winning, Disney film Coco.

The Van Cleef Effect

Despite the fact Bratt has played Latinos in film and TV from all walks of life, it’s his uncanny, chilling portrayal of evil men that stands out in his resume. Currently, in the HBO Max action-adventure mini-series DMZ, he plays an especially evil hombre named Parko Delgado, opposite his co-star Rosario Dawson. Bratt plays Delgado with devilish relish and very bad intentions. It’s an intense performance that Bratt has proven himself to be especially skillful at playing. For some actors, they might fear being typecast as villains. But Bratt is on the same career trajectory as other infamous movies “bad guys.”

Legendary character actor Lee Van Cleef made a career playing bad guys in films. After all, it was Van Cleef who was “the bad” in The Good, the Bad and the Ugly. Van Cleef was non-other than the murderous but memorable, Angel Eyes. Lee Marvin and Jack Palance also got their start in supporting roles as villains. But eventually, this led to them becoming lead actors as heroes; Van Cleef (Escape from New York), Lee Marvin (The Dirty Dozen) andJack Palance (City Slickers).

Bratt recently finished filming Dead for a Dollar, a Western directed by Walter Hill.  Dead for a Dollar follows a famed bounty hunter (Christoph Waltz) who runs into his sworn enemy (Willem Dafoe), a professional gambler and outlaw that he had sent to prison years before, while on a mission to find and return his wife (Rachel Brosnahan) of a successful businessman who is being held hostage in Mexico. Standing in the way is an infamous gangster (Bratt) who gets a piece of any action that happens along the Mexican border.

OMG! I’m shocked, shocked to discover Bratt has been cast as a Mexican gangster. No worries. Bratt is bound to add depth and make him a compelling, scene-stealing bad guy who will garner critical praise. 

Cultural Pride and Recognition

“On a national level,” Bratt has been quoted as saying, “There is a tendency to portray Latino culture as a monolith, which is an inaccurate way of seeing ourselves. There is as much diversity and uniqueness within the Latino culture as there is  in any other American  culture.” 

As if to prove his point, in 1996 Bratt not only starred but produced the award-winning film Follow Me Home, going against all Hollywood Latino stereotypes.  Follow me Home directed by Peter Bratt (Benjamin’s brother)  tracks the lives of four artists, one African American, one Native American, and two Chicano cousins, who embark on a cross-country road trip to paint a mural on the White House.   The film also starred Jesse Borrego, Alfre Woodard, and at that time, an unknown, Salma Hayek in a small role. An official selection at Sundance Film Festival, Pulitzer Prize winning author Alice Walker called Follow Me Home “a work of genius”.  In 2020 the fim was re-released, streaming for a week, accompanied with panel discussions with the cast and crew.

In 2009 Bratt he starred and again produced the feature La Mission which was written and directed by his brother Peter.  A story set in the Mission district of San Francisco about a reformed inmate and recovering alcoholic working hard to redeem his life and to do right by his only son, Jesse, whom he discovers is gay.  

The Perfect Film-Noir Man

Bratt has all the physical and emotional attributes that would have made him a natural leading man in the Hollywood film noir classics of the 40s and 50s. He comes out of that rich tough guy, anti-hero tradition as Humphrey Bogart, Robert Mitcham and Alan Ladd. 

It’s not too far-fetched an idea to imagine a modern-day Latino film-noir reboot of The Maltese Falcon, Out of the Past or This Gun for Hire.
Bratt was very good as a bad guy in DMZ and more than likely has an equally good performance in Dead for a Dollar. However, he has the look, attitude and style that would be perfect for an original Latino urban gritty crime drama. Picture this. Bratt is a hard-boiled, morally ambiguous private detective working in his hometown of San Francisco’s Mission District barrio, Chinatown and the Wharf and Pier in a thriller titled Fish Don’t Scream. Lots of cold, foggy exteriors laced with the aroma of seafood and the sounds of Coltrane and Thelonious Monk.  Benjamin Bratt looking very lean, mean, and stylish in a fedora and trench coat would make a cool highly sought-after grainy, black and white movie poster.

For now Bratt is currently working on

Natasha Lyonne And Rian Johnson’s Peacock Mystery Series Poker Face being produced by

Also executive producing are Maya Rudolph, Danielle Renfrew Behren, Ram Bergman, and Nena Rodriguez.

The post DMZ’s Benjamin Bratt: A Man For Mean Seasons first appeared on .

WATCH Film Here for FREE: www.followmehomethemovie.com Until Nov. 4

Latin Heat News Services

The message of the film Follow Me Home (1996) directed by Peter Bratt, captured the struggle of people in the face of oppression; today its message is more relevant and urgent than ever.

The collective The BIG We partnered with the Follow Me Home Coalition and the nonprofit IllumiNative to present a nationwide online event that will feature dynamic conversations about race and our current political climate over three days Oct. 28 through 30.

Follow Me Home filmmakers partnered with the Follow Me Home Coalition to digitize the 1996 film and re-release it online nationally for free for one week beginning Oct. 22. through Nov. 4 at www.followmehomethemovie.com. Then audiences are invited to participate in a three-night curated live event of frank conversations around the themes of race, class and gender the film explores.

Confirmed event participants include director Peter Bratt and cast members Alfred Woodard, Benjamin Bratt, Jesse Borrego, and special guests Alice Walker, Dolores Huerta and Bakari Sellers.

After George Floyd’s tragic murder and the protests that followed, director Bratt received “impassioned calls from concerned citizens of every creed and color who thought that the film was still relevant today,” according to event organizers. As calls turned into action, Peter and Benjamin Bratt joined a small, passionate group of allies known as the Follow Me Home Coalition to re-share this tale. The Coalition’s hope is to help foster one of the “most pivotal conversations of our collective lives and to provoke change in the way we live in America,” read a press statement

“Stories have the power to change perception, and even policy,” said film director Bratt, who also wrote the screenplay. “They also have the ability to unite us as a people–an interdependent and interrelated community.” 

Drawing upon Native, African and Latino culture, Follow Me Home is a rebellious fable of four Los Angeles street artists who hatch a plan to cover the White House with vibrantly painted murals. Joined by a woman with a haunting secret, they set off on an impetuous joyride across a desert landscape steeped in magic, mystery and danger. A powerful celebration of art, history, music and community, Follow Me Home challenges long-held beliefs about race and identity in America, adding an important voice to today’s racial reckoning. 

Written and directed by Peabody Award-winning filmmaker Peter Bratt, Follow Me Home  stars Academy Award-nominee Alfred Woodard, Benjamin Bratt, Jesse Borrego, Calvin Levels, Steve Reevis, and features a then-unknown Salma Hayek; Executive Produced by Alpita Patel, Adam Zbar and John China. 

The Sundance film has been praised by prominent cultural critics of color including Angela Davis, Alice Walker, June Jordan, and Toni Morrison and is revered for bringing voices and stories from the background to the forefront. The film has sparked lively, impassioned, and often emotional reactions, spotlighting the unsettled issues that yet cripple America as we rapidly approach a crucial election.

“It is an incredible gift for The BIG We to serve the vision of the film and curate talk backs and story circles for folks who are ready to talk about racial equity and justice,” says Anasa Troutman, The BIG We’s CEO. “Our goal is to start an enduring conversation that will magnify these stories and voices to boldly shape narratives that will transform how we think, speak, and move through this very critical time.”

Follow Me Home ‘s crew includes director of photography Garett Griffin, editor Robert Grahamjones, music composers Cyril Neville Speech and Roy Finch, production designer Katerina Keith, executive producers Alpita Patel, Adam Zbar and John China and producers Alan Renshaw, Irene Romero, Peter Bratt and Benjamin Bratt. 

For schedule and additional details on the event and film, please visit www.FollowMeHomeTheMovie.com. 

The post Peter Bratt’s Film ‘Follow Me Home’ Re-Releases With 3 Day Online Event first appeared on .

How do you want to be remembered? How do you reconcile your personal goals with the needs of your family? How far are you willing to go to pursue your passions in life? These are three, of a multitude of themes tackled in Coco, the latest Disney-Pixar cinematic production released this year. Most recently Coco has become the highest-grossing film in Mexico following its release there prior to releasing in the U.S.  The animated film then attained the top box office spot in the United States for three weeks straight, and was nominated for a Golden Globe for Best Animated Motion Picture.

Disney is no stranger to featuring Mexico and Mexican elements in their films, having produced

So why has the success of

Following a considerable backlash exemplified by one of Alcaraz’s strips in La Cucaracha entitled “Muerto Mouse”, Disney not only dropped its attempt to trademark the phrase but also hired Alcaraz as an advisor for the film. Alcaraz also wrote for the

The post Coco In Context and Why It’s a Boxoffice Hit first appeared on .