Submission Deadline: Until January 15

The Mexican-American Cultural Foundation, a U.S. based non-profit organization dedicated to uplifting the Latino image in film and and television, will hold the 4th Edition of the Mexican-American Film and Television Festival  & Awards (MAFTF)  Saturday, April 19th and Sunday 20th, 2025, returning to its homebase at the Harmony Gold Theater in the heart of Hollywood. 

Filmmakers wishing to showcase their work at MAFTF are invited to submit now through our website  (www.MAFTF.org) where they can also find submission requirements. The final deadline for  submission is January 15^th , 2025. 

This year MAFTF continues its mission of amplifying the voices of Chicano/Mexican-American filmmakers with its theme Bridging Generations By Our Shared Roots: Somos De  Aquí Y Somos De Allá, which furthers their mission. The aim is to bridge the diverse experiences of Mexican born filmmakers and the Mexican-American/Chicano-born filmmakers, in an effort to showcase the nuanced difference and similarities which will foster communication, cultural awareness, and  shared identity through their projects.

The reality is, being Mexican-American fosters an opportunity to benefit from two rich cultures, shared experiences, and access to more perspectives that differ from one single  culture mindset. We are united, fierce, and resilient. 

MAFTF is a two day event with screenings of short films, features, and television content, culminating with the yearly Illustrious Award ceremony on April 20, 2025.  

“As we proudly announce the 2025 edition of the Mexican-American Film and Television Festival, I am reminded of the incredible success of our past three editions,” said MAFTF Director Dr. Jose-Luis Ruiz. “However, I am  also aware that despite our shared heritage, filmmakers from Mexico and  Chicano/Mexican-American filmmakers have not always collaborated as closely as we could. This year’s festival theme is a call to action – a reminder that by working together,  we can amplify our voices, share our stories, and celebrate our rich cultural diversity.

Dr. Ruiz, adds, “I am  excited to see the amazing work that will emerge from this collaboration and I invite all  filmmakers to join us on this journey.” 

MAFTF enlists a panel of judges consisting of Hollywood industry professionals who will be judging the submissions in the following categories: Best Film, Best Director, Best Short Film, Best TV Series, Best Male Actor, Best  Female Actress, Best Screenplay For Film, and Best Screenplay For TV.  

Our Illustrious awards honor Industry leaders and honor those in the industry pushing to change the narrative and how they go  above and beyond. Our past honorees have included producer Yvett Merino (Encanto), directors Patricia Riggen (G20, Miracles from Heaven), Writer/Director Luis Valdez (La Bamba/Zoot Suit), Frank Rodriguez, Head of Distribution at Amazon (MGM), and Producer Moctesuma Esparza (Selena).

Tickets will be available for purchase in early 2025.  Check our website at www.MAFTF.org

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by Roberto Leal

“The more things change, the more they stay the same” —Jean-Baptiste Alphonse Karr

When it comes to amassing a team of talented, resumé rich, creative people to put together a series, Penny Dreadful: City of Angels, which premieres on Showtime, Sunday, April 26, is loaded for bear!

It begins with Academy Award nominee writer and creator of Penny Dreadful: City of Angels, John Logan (Gladiator, The Aviator), to Oscar winning producer / director, Sam Mendes (1917, American Beauty), who executive produced the original Showtimes series. 

The cast is stellar with engaging performances that include Natalie Dromer playing all the female evil incarnations (Magda, Alex, Elsa and Rio); Daniel Zovatto (The TV Shows Here and From Dusk Til Dawn) as the first Chicano detective in the LAPD; Kerry Bishe as the saintly Molly.  Nathan Lane, in a dramatic turn as Lewis Michener, Daniel Vega’s detective partner. Then there is Amy Madigan as Molly’s mother whose actions belie the religious woman she purports to be.  The rest of the Vega family is played by Adam Rodriguez (NCIS: Miami, Magic Mike), Johnathan Nieves (Shameless) and Jessica Garza (The Purge).

Logan’s sweeping, kaleidoscopic, multi-layered saga is set in 1938, Depression Era, pre-world War II, Los Angeles. It is a story with many fascinating moving parts; murder, racial discrimination, crooked cops and politicians, religious charlatans, Nazis, cultural upheaval in the Chicano community, horror, myth, and Mexican folklore, all culminating in a penultimate, apocalyptic battle between Good and Evil. Logan’s story is a cautionary tale that eerily and prophetically holds up a critical mirror, to present-day America, to remind us: the more things change, the more they stay the same.

The breadth and depth of Penny Dreadful: City of angels, is truly breath-taking.

However, within all those moving parts, there is one significant, central gear that makes the narrative machinery move along smoothly: Maria Vega, the strong-willed, loving mother of the Vega family. And fortunately, Logan cast the perfect Latina actress to play this critical, pivotal role, Adriana Barraza. Mexican-born actress, Academy Award nominee and Golden Globe winner, director, and acting coach.

Barraza grew up in Toluca watching old Mexican and North American movies, in black and white, on Mexican network TV. Young Adriana loved watching such diverse movie stars as German Valdez Tin Tan, Pedro Infante, Carmen Montejo, Marga Lopez, as well as Esther Williams and Fred Astaire.

“I loved the dramas with Bette Davis,” she recalls fondly. “I think I’ve seen All About Eve more than 20 times.” What she admired most about those stars and stories, was they made her laugh, cry and always to dream.

In Penny Dreadful: City of Angels, Adriana plays family matriarch, Maria Vega. She modeled Maria Vega after her own grandmothers.  “I modeled Maria after my two grandmothers who were the attentive parental role models in my life,” she began.

“My fraternal grandmother, Doña Virginia Marin de Barraza, was a very traditional, old-fashioned woman, very Catholic, and always wore black.”

“On the other hand,”, she continued, “My maternal grandmother, Doña Angela Flores de Gonzalez was an eccentric woman with a beautiful house full of light, classical music, birds in the garden, extravagant pets, like herons and large turtles.”

Logan played a huge part in getting the talented Mexican actress involved in this epic project. She had been a fan of the original Penny Dreadful series and an admirer of John Logan’s work.

“I received an invitation, from John Logan, to read the first episode of the new series. I was thrilled,” she recalls gleefully. “John’s uncanny knowledge of Mexican culture—such as Maria’s nahual, the coyote, and the other positive examples of what la Santa Muerte means—that is what hooked me on the project.”

Logan expressed to Barraza his desire and passion to bring to a wide audience the rich, complex, often turbulent and painful history of Mexican Americans in a city that once had a much longer poetic Spanish name, El Pueblo de Nuestra Señora la Reina de los Angeles del Río Porciúncula — before it became simply, Los Angeles.

It was Logan’s portrayal of Mexican Americans as not “the other”, but as people with normal every day hopes and dreams like everyone else, that ultimately drew Adriana to the role of Maria Vega. 

“I knew that I understood Maria Vega as a Mexican and as a fighting mother who loves her children and is capable of doing anything for them. Plus, the supernatural world that is familiar to me as I previously mentioned. I am forever grateful to John Logan for thinking of me for the role of my beloved Maria!” And Logan has done a masterful job of capturing the essence, the sights and sounds and what has been documented to be the reality of the Mexican American / Chicano experience of that time.

As with all great stories, and Penny Dreadful: City of Angels is all that and a bag of spicy chicharrones, there is always an overarching truth. Here it’s Logan’s tribute to the struggle and triumph of humanity of the Vega Family and by extension, the greater Chicano community.  The powerful mythical, supernatural presence of Coatlicue, the Aztec Earth Mother Goddess of Life, is embodied in the heart and soul of the family matriarch, Maria Vega.

It has been reported that Barazza has a part in the upcoming Robert Rodriguez superhero film We Can Be Heroes, due to appear on Netflix soon. Did Robert cast her as the very first mature, Latina superhero?

“No,” she came back quickly, “I play Grandma Moreno. I teach the superheroes.”

Penny Dreadful: City of Angels premieres on the Showtime Networks , Sunday, April 26, 10/9c.

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