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	<title>gentrification -</title>
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		<title>&#8216;Gentefied&#8217;: The Netflix Chicano Dramedy is the &#8216;Our Town&#8217; for Our Times</title>
		<link>https://latinheat.com/gentefied-the-netflix-chicano-dramedy-is-the-our-town-for-our-times/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=gentefied-the-netflix-chicano-dramedy-is-the-our-town-for-our-times</link>
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		<pubDate>Mon, 08 Nov 2021 19:44:42 +0000</pubDate>
				<category><![CDATA[Spotlight]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[Chicano drama]]></category>
		<category><![CDATA[Gentefied]]></category>
		<category><![CDATA[gentrification]]></category>
		<category><![CDATA[Latinization]]></category>
		<category><![CDATA[Linda Yvette Chávez]]></category>
		<category><![CDATA[Marvin Lemus]]></category>
		<guid isPermaLink="false">https://staging.latinheat.com/?p=71103</guid>

					<description><![CDATA[<p>Gentefied, the Netflix dramedy set in modern-day Boyle Heights is a thoughtful and often funny Chicano meditation on how innovation, change and the ever-present encroaching menace of gentrification can cause doubt and conflict within a traditional Latino community.</p>
<p>The post <a href="https://latinheat.com/gentefied-the-netflix-chicano-dramedy-is-the-our-town-for-our-times/">‘Gentefied’: The Netflix Chicano Dramedy is the ‘Our Town’ for Our Times</a> first appeared on <a href="https://latinheat.com"></a>.</p>]]></description>
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<p class="has-text-align-right wp-block-paragraph">By Roberto Leal</p>


<div class="wp-block-image"><figure class="alignright size-large is-resized"><img fetchpriority="high" decoding="async" src="https://staging.latinheat.com/wp-content/uploads/2021/11/kline-3-783x460.png" alt="" class="wp-image-71104" width="492" height="289"/><figcaption><em>Gentefied</em> (Credit: Netflix)</figcaption></figure></div>


<p class="wp-block-paragraph">The 1940 film<em> Our Town</em>, based on<strong> Thornton Wilder</strong>’s play of the same name, takes a nostalgic, rose-colored-lens look back at the changes that occur in a small New Hampshire town. Set in pre-World War II America, this gentle, vanilla-flavored remembrance of things past foreshadows the seismic shifts in our inner cities, the flight to white suburbia and the ethnic identity of inner-city neighborhoods.</p>


<p class="wp-block-paragraph"><em>Gentefied</em>, the Netflix dramedy set in modern-day Boyle Heights is a thoughtful and often funny Chicano meditation on how innovation, change and the ever-present encroaching menace of gentrification can cause doubt and conflict within a traditional Latino community.</p>


<p class="wp-block-paragraph"><em>Gentefied</em> creators <strong>Linda Yvette Chávez </strong>(<em>The one-Wayz</em>) and <strong>Marvin Lemus </strong>(<em>Dia De Cuetes</em>) tell us the story of the Morales cousins, Erik (<strong>Joseph Julian Soria</strong>, <em>Crank: High Voltage</em>) and Chris (<strong>Carlos Santos, </strong><em>Vacation Friends</em>) as they struggle with the paradox of the American Dream within the milieu of their Chicano neighborhood as symbolized by the taco shop of their beloved, immigrant grandfather Casimiro “Popi” Morales, beautifully played by veteran Mexican actor <strong>Joaquín Cosio </strong>(<em>Quantum of Solace</em> ).</p>


<p class="wp-block-paragraph">&nbsp;<strong>OUT OF THE RIVER INTO THE MAINSTREAM</strong></p>


<p class="wp-block-paragraph"><em>“Getting into the mainstream” </em>is the catchphrase often heard among Mexican nationals and Mexican Americans that defines the strategic pathway to successfully assimilating into American society. But “getting into the mainstream” or assimilating presents a troubling conundrum for Mexicans who have crossed a river to get here and even for those who were born on this side of the river. Succeeding in White America for a Latino means jettisoning huge parts of their Mexican culture like forgetting Spanish in favor of English, Americanizing our Hispanic names and leaving ancient cultural traditions behind.</p>


<p class="wp-block-paragraph"><em>Gentefied </em>uses Popi’s taco shop as the backdrop- to explore the intracultural conflicts of assimilation versus maintaining traditions within this Chicano neighborhood. The principal characters are the archetypes that illustrate the dynamics within the story of <em>Gentefied. </em>Popi is the classic Mexican immigrant hero. Popi crosses the river, settles in Boyle Heights, starts a thriving taco shop and becomes a fixture in the community. His grandson Erik symbolizes change and the desire to seek new horizons. Chris, Erik’s cousin, likes the safety and security of Boyle Heights and only wishes to honor his grandfather’s legacy.</p>


<div class="wp-block-image"><figure class="alignleft size-large is-resized"><img decoding="async" src="https://staging.latinheat.com/wp-content/uploads/2021/11/kline-1-783x460.png" alt="" class="wp-image-71106" width="437" height="257"/><figcaption><em>Gentefied</em> (Credit: Netflix)</figcaption></figure></div>


<p class="wp-block-paragraph">Ana Morales, (<strong>Karrie Martin</strong>, <em>Holidate</em> ) is an aspiring artist. Ana has attracted the attention of an Anglo art patron who wants to promote her work for a profit. But it is not clear if Ana intends to compromise her artistic integrity and allow herself to be exploited by her patron.</p>


<p class="wp-block-paragraph">Lina Solis (<strong>Annie Gonzalez</strong>, <em>Shameless</em>) is highly educated, ambitious and upwardly mobile. She’s involved with Chris, but the lure of the mainstream is drawing her away from her familiar surroundings.</p>


<p class="wp-block-paragraph">When Popi’s taco shop runs into financial problems, Erik convinces a skeptical Popi and a resistant Chris that the taco shop needs to introduce new flavors and ingredients to its tried-and-true menu of tacos and other traditional Mexican favorites in order to attract a newer, more prosperous upscale customer.</p>


<p class="wp-block-paragraph"><strong>THE ORGANIC HUMMUS AND SPROUTS TOSTADA</strong></p>


<p class="wp-block-paragraph">Popi eases his anxiety over the changes to his taco shop by spending time with Lupe (<strong>Alma Martinez, </strong><em>The Terror</em>). Lupe provides a sympathetic ear and is a safe harbor for Popi during the stormy transition raging in his precious taco shop.</p>


<p class="wp-block-paragraph">But the changes Erik installs ring-up positive results at the cash register. Even Chris has to grudgingly acknowledge his cousin’s quirky culinary adaptations have proven successful. It isn’t too far-fetched to imagine Popi having an unsettling vision of his taco shop becoming a trendy eatery for yuppie <em>gabachos </em>eating his now-signature hummus and sprouts tostada with a knife and fork. <em>¡Ay Dios, sálvanos!</em></p>


<p class="wp-block-paragraph"><strong>WHAT PRICE TRADITION?</strong></p>


<p class="wp-block-paragraph">Thomas Wolfe wrote: “You can never go home again.” As a cautionary warning against viewing the past through a romanticized mind’s eye, it has some truth. But it can also be said that you never leave your neighborhood. You may leave it physically, but emotionally, spiritually and culturally where you were formed as a human being stays with you throughout your lifetime.</p>


<div class="wp-block-image"><figure class="alignright size-large is-resized"><img decoding="async" src="https://staging.latinheat.com/wp-content/uploads/2021/11/kline-5-783x460.png" alt="" class="wp-image-71107" width="501" height="294"/><figcaption><em>Gentefied</em> (Credit: Netflix)</figcaption></figure></div>


<p class="wp-block-paragraph"><em>Gentefied </em>shows us a Chicano neighborhood struggling to maintain its identity and long-held traditions in the face of impending change from outside forces and within the Chicano community itself.<em> </em>Everything has a price and<em> Gentefied</em> asks what price a community is willing to pay to keep its treasured traditions. All the characters in <em>Gentefied </em>through their various storylines are seeking an answer to that question.</p>


<p class="wp-block-paragraph"><strong>WELL, THERE GOES THE NEIGHBORHOOD!</strong></p>


<p class="wp-block-paragraph">While Boyle Heights is the focus of <em>Gentefied,</em> the creators of the show, Chávez and Lemus, are holding a larger mirror up to a demographic and cultural explosion in America that the inhabitants of Wilder’s 1940s New Hampshire small town could never imagine in their Thorton Wildest dreams.</p>


<p class="wp-block-paragraph">In this year’s World Series, the two teams celebrating America’s Pastime were dominated by players with Hispanic surnames. During the game, there was a gimmick promoting: “Steal a base. Get a free taco.” Whenever a player from either team stole a base, Taco Bell gave away free tacos to all of America. Not a baloney sandwich, a slice of pizza or a potato knish, but a taco.</p>


<p class="wp-block-paragraph">In a recent historic first appointment, the Senate confirms <strong>Robert Santos</strong>, a third-generation Mexican American from San Antonio, Texas as head of the US Census Bureau. So not only will the growing numbers of Hispanics in America be too big to ignore, but we also now have a Latino statistician making sure the numbers are accurate. The political and societal implications of those numbers are enormous.</p>


<p class="wp-block-paragraph">While <em>Our Town </em>is a warm, fuzzy, feel-good look at an America that used to be, <em>Gentefied </em>is?—through the lens of Chicano Boyle Heights and the characters struggling with the tug and pull of tradition versus modernity?—an entertaining and colorful glimpse into the inevitable Latinization of America.</p>


<p class="wp-block-paragraph"><strong>Season two of </strong><strong><em>Gentefied </em></strong><strong>returns to Netflix Nov. 10.</strong></p>


<p class="wp-block-paragraph"><strong>GENTEFIED</strong><br />Stars: Joaquín Cosio, Joseph Julian Soria, Karrie Martin , Carlos Santos, Alma Martinez, Annie Gonzalez</p>


<p class="wp-block-paragraph"><em>Featured Photo: Gentefied (Credit: Netflix)</em></p>


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</div></figure><p>The post <a href="https://latinheat.com/gentefied-the-netflix-chicano-dramedy-is-the-our-town-for-our-times/">‘Gentefied’: The Netflix Chicano Dramedy is the ‘Our Town’ for Our Times</a> first appeared on <a href="https://latinheat.com"></a>.</p>]]></content:encoded>
					
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		<title>Chelsea Rendon&#8217;s Mari Shines in Last Season of &#8220;Vida&#8221;</title>
		<link>https://latinheat.com/chelsea-rendons-mari-shines-in-last-season-of-vida/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=chelsea-rendons-mari-shines-in-last-season-of-vida</link>
					<comments>https://latinheat.com/chelsea-rendons-mari-shines-in-last-season-of-vida/?noamp=mobile#respond</comments>
		
		<dc:creator><![CDATA[latinheat]]></dc:creator>
		<pubDate>Tue, 05 May 2020 01:59:00 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Spotlight]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[Chelsea Rendon]]></category>
		<category><![CDATA[gentrification]]></category>
		<category><![CDATA[Mari]]></category>
		<category><![CDATA[starz]]></category>
		<category><![CDATA[Tanya Saracho]]></category>
		<category><![CDATA[vida]]></category>
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					<description><![CDATA[<p>Rendon&#8217;s Mari Flourishes As The Hit Series End By Bel Hernandez Chelsea Rendon was born to act.&#160; She</p>
<p>The post <a href="https://latinheat.com/chelsea-rendons-mari-shines-in-last-season-of-vida/">Chelsea Rendon’s Mari Shines in Last Season of “Vida”</a> first appeared on <a href="https://latinheat.com"></a>.</p>]]></description>
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<h4 class="has-text-align-center wp-block-heading">Rendon&#8217;s Mari Flourishes As The Hit Series End</h4>


<p class="has-text-align-right wp-block-paragraph">By Bel Hernandez</p>


<div class="wp-block-image"><figure class="alignright size-large is-resized"><img loading="lazy" decoding="async" src="https://staging.latinheat.com/wp-content/uploads/2020/05/Chelsea-Rendon-800-307x460.png" alt="" class="wp-image-48626" width="288" height="432"/><figcaption>Photo by: Vince Trupsin</figcaption></figure></div>


<p class="wp-block-paragraph"><strong>Chelsea Rendon </strong>was born to act.&nbsp; She has been doing so since the age of six &#8212; and not just “trying” to act, booking the jobs.&nbsp; By seven she had booked her first lead role in the ALMA Award winning independent film, <em>No Turning Back</em>. She has not had time to look back much because through her adolescence, her teens and into her twenties, she has been busy working in just about every hit show on TV and some amazing films. Currently Rendon is starring in the third and final season of the Starz hit show <em>VIDA</em>.&nbsp; Later this year two highly anticipated films she worked on will be released, <strong>Cristina Ibarra</strong> and <strong>Alex Rivera’s</strong> <em>The Infiltrators</em> and<strong> David Ayers</strong> <em>The Tax Collector.</em></p>


<p class="wp-block-paragraph">Always driven to excel, in 2017 while working with Ayers on the Netflix film <em>Bright</em>, Rendon took a piece of his advice to heart. He complimented her talent and felt she had a lot more to give.&nbsp; He suggested she take classes with Ivana Chumbick studios, telling her that Chumbick would be the one to bring it out in her. She started classes in February and in May she booked the role of Mari in <em>VIDA</em>.&nbsp; It was a turning point in her career.&nbsp;&nbsp;</p>


<p class="wp-block-paragraph">Rendon’s Mari, the hard core Boyle Heights gentrification activist, Entertainment Weekly called her performance “fierce and funny portrayal of guerrilla activist Marisol.”&nbsp; Rendon thanks creator/showrunner <strong>Tanya Saracho</strong> for writing her character, and all the female characters in theshow, with authenticity and as multi-layered characters; the writing is what allows their talent to shine, which leads to other work.</p>


<p class="wp-block-paragraph">Last year Rendon landed the recurring role of Annie Gonzalez in Showtime’s groundbreaking hit show <em>Shameless</em> where she had a 6 episode arch in 2019.&nbsp; She adds that show to the long list of TV credits which include <em>Major Crimes</em>, <em>All Rise</em>, <em>The Bridge</em>, and <em>Bosch</em>, among many.</p>


<p class="wp-block-paragraph">Currently she co-stars in <em>The Infiltrators </em>which was released on virtual cinemas on May 4th by The Oscilloscope Laboratories and on June 2nd, will release on-demand and digitally.&nbsp; Then, later this year she will be seen in director David Ayer’s <em>The Tax Collector</em>.&nbsp;</p>


<figure class="wp-block-image size-large"><img decoding="async" src="https://staging.latinheat.com/wp-content/uploads/2020/05/TheTAxCollector-613x460.jpeg" alt="" class="wp-image-48623"/></figure>


<p class="wp-block-paragraph">For now as the final season of <em>VIDA</em> plays out, we see Rendon’s role of Mari become more prominent. In these last episodes of the series, Mari falls out of favor with her crowd of radical gentrification advocates; she faces homelessness; her father died in this past Sunday’s episode; and in the last episode of the series it literally ends on her,  in a quandary, wondering what she will do next.  A set up for a spin-off?  One can only hope &#8212; but for sure we will be seeing more of Rendon, you can bet on that.</p><p>The post <a href="https://latinheat.com/chelsea-rendons-mari-shines-in-last-season-of-vida/">Chelsea Rendon’s Mari Shines in Last Season of “Vida”</a> first appeared on <a href="https://latinheat.com"></a>.</p>]]></content:encoded>
					
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