By Cris Franco 

Two of my most accomplished friends will be sharing the virtual stage in The Soraya Presents Nochebuena en Casa (Christmas Eve at Home). Hosted by award-winning producer Dan Guerrero and with musical performances by East L.A. native, one of the original Associate Artist of the L.A. Opera Los Angeles Emmy-winner and mezzo-soprano, Ms. Suzanna  Guzman. This event will surely put lots of Feliz in your Navidad! I got the talented pair (who are themselves longtime besties) to take a break from their Speedy Gonzalez work schedules to answer some pertinent questions about art in the age of Covid, the term “Latinx” and their upcoming Nochebuena en Casa.

CRIS FRANCO: I recall that Dan and I met decades ago at a very classy, black-tie only, cockfight behind the Kennedy Center — but how did you two (Dan & Suzanna) meet? 

DAN GUERRERO: Honestly can’t recall. She just has always been. You know. Like Cher. Or the Grand Canyon. (beat…then) Actually, I was casting the last national tour and Broadway production of The King and I for Yul Brynner. SuzGuz came to an open call and I cast her. I was thrilled to have a Chicana on Broadway. It was the late 80s.

SUZANNA GUZMAN: Yes, Dan cast me as Amazon #2.  

CF: You’re Amazon #1 in my book, Suzanna! Dan you’re a performer/writer/producer/ZOOM host. Suzanna you’re all that plus an educator, TV host and opera diva. You’re both such multi-faceted artists – what do you consider yourself primarily? 

SG: I am an opera singer. My career has taken me to some outstanding international venues. My work in theatre, radio and TV is a straight line from performing.

DG: What am I? Today I’m introduced as an artist/producer/activist. I guess that wraps it up fairly well. I do consider myself an artist both as a writer and performer. Certainly a producer of many years. And am proud of my activist work for both the Latino and LGBTQ+ community using the arts as my tool. 

CF:  And lots of artists are participating in this year’s Nochebuena: “The Queen of Ranchera” Aida Cuevas along with Ballet Folklórico de Los Ángeles, Mariachi Garibaldi de Jaime Cuéllar, Las Cafeteras, plus José “Pepe” Martínez Jr. and Susie García.  Have you participated in other productions at the Soraya? 

DG: Yes. I love the Soraya. The Exec Director, Thor Steingraber, is phenomenal. I so admire the diversity he brings to his stage and how he treats every visiting artist like a star. Class act. I first was on that stage in Conversation with Linda Ronstadt. I later directed an evening of political humor headlined by Culture Clash. But, my favorite was directing the mariachi opera Cruzar la Cara de la Luna featuring Suzanna Guzman!

SG: Ditto with Dan about loving the Soraya where I was in A Tribute to Leonard Bernstein, the opera Cruzar la Cara de la Luna directed by Dan Guerrero, A Wine with Stewart Copeland and Diavolo’s Jacques Heim. I have performed my children’s show Don’t Be Afraid, It’s Just Opera. But my greatest joy is that I performed in the groundbreaking ceremony with Federica von Stade singing “Take Care of  this House” in a show called Flick and Friends.

CF: How would you describe the upcoming Nochebuena en Casa? 

DG: It is truly an uplifting celebration of the season. And if we ever needed a lift and an early Christmas spirit, this is it. The acts are amazingly talented and the event is very personal. Because of this challenging time, it was only the mariachi and the folkloric dancers on the great stage with no audience, of course. All the other artists sent special performances filmed at their homes. I am honored to host it. 

SG: Nochebuena en Casa is what we need right now: a celebration of life in this time of COVID. As a singer we need to train even while home bound. And nothing reflects family and friends more than lifting our voices in song. For me that means singing with someone in harmony. 

CF: Aside from the fact that it’s totally and utterly free, why else should people stream Nochebuena en Casa? 

SG: More than a stream, Nochebuena en Casa is a way for the world to see that you cannot keep art down. That its expression is like a phoenix rising out of any circumstance. [pullout]

CF: Is there an upside to the devastation the pandemic has wrought upon live performances? 

SG: No.

DG: Well, maybe. So many artists are reinventing how they present their work without a stage or audience. It’s fascinating and complex. Of course, you can’t duplicate the adrenaline of a live audience and performance. The back and forth of electric energy. But dancers, singers, musicians, actors, are all finding new ways to reach their audience. A recent NY Times article featured a choreographer who was now staging for the camera and not simply filming a dance piece originally conceived for the stage. And the argument is raging, if it’s filmed how can it be a play? It’s a “film” of a play. It dicey. But in the end, I think some very interesting work will come out of this horrific time.

CF: How have you filled your days during our stay-at-home orders? 

DG: My friends laugh at my flourishing pandemic career. I have had an extremely busy year. Non-stop. I barely have time to do it all. Trust me, I’m not sitting home watching daytime TV or cleaning out my closet to have something to do. I am blessed.

SG: I am the co-director of The Opera Company at LACHSA. I hold online rehearsals and scour the world to find  COVID-safe places where we can perform live. I have even become a certificated COVID 19 Compliance Officer for this reason. So, I’m a busy girl.

CF: Danny, you’ve been in show biz a long time. How long?  On the First Day when God created the light, it was you, Dan, who told God to “put a gel on it!”  What is the secret to a long-lasting career?

DG:  Say yes to (nearly) everything. You never know where it might lead. Look at the big picture, not just the immediate. Stay in the game if you really want to play. Treat everyone well, not only because it is the right thing to do, but you never know where today’s receptionist is going to be in five years. Stay relevant. I just turned 80 last October and I’m still in the game, dancing as fast as I still can, busier than ever. I’m enjoying being a veterano who has seen it all and lived to tell the tale.

CF:  Suzanna, there are two kinds of Chicanos: corn and flour. Which kind are you? 

SG: I am Keto. So technically, neither. But my quesadillas are corn and my tortillas with butter are flour.

CF: A delicious answer. In just my short (don’t laugh) lifetime we’ve gone from Mexican-Americans to Hispanics to Chicanos to Latinos – and now were non-binary “Latinx.” What do you think of the term “Latinx” —  doesn’t it sound too much like “Kleenex”?

SG: I am American, of Mexican American descent and I like the word Latina. I am not Latinx as for some reason that makes me think of my bra size.

DG: I continue to resist “Latinx.” Sounds trendy and I understand that the meaning of it is solid and I agree with its definition. But the actual word bugs me. I consider myself an American Mexican. That’s right. Not Mexican-American. I am an American first. But fiercely proud of my Mexican heritage. It’s complex. After all, look at all the countries in the Americas. So, aren’t we all Americans?  

CF: Absolutely. I’m as American as tamale pie. Hey, once this pandemic is under control, how can we get more Latinos to attend live theater?

SG: Speak to them where they live. I revamp operas so they are told bilingually and are more accessible to the audience. The Spanish-Speaking American comes from so many diverse backgrounds it is impossible to capture their experience in a single sitcom. Honestly the only time I ever saw myself was in a series called East Los High and the other was The Big Bang Theory because it took place in Pasadena, CA where my family is third gen. But, the number one barrier to Latinos attending live theater is cost. Make it affordable. Bring it where they live. Make it excellent.

CF:  What advice do you have for someone considering a career in entertainment?

SG: Love it– even when you don’t get paid for it. Especially when you don’t get paid for it. As an artist, it is about mastering your own craft. Nurturing your own creativity and finding the way that can best express your heart to the world. Cause we connect through our heart. And if that means we have a parallel career as an accountant, a radio host, a waitress, a teacher, that career each one informs the other. Infuses the other with the same creative passion.

DG: I’m always leery about giving advice. What worked for me may not work for someone else. Everyone is on their own journey and has to find their own way. But I will say this, the arts is a calling. Don’t go into it unless you are answering the call. It’s more than a choice. 

CF: My career advice? Expose yourself to great art and study why it moves you. A good start would be streaming Nochebuena en Casa – am I great at PR or what?! 

Nochebuena en Casa starts streaming Friday, December 18 @ 5pm. For more Information CLICK HERE

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My, my, my!  Who knew that Lassie was a boy, Richard Burton changed his name to that of the gay schoolmaster he idolized and lived with as a teen, and Dick Sargent had to fend off advances by Carey Grant and Blake Edwards?

Author Boze Hadleigh knew – and he knew much, much, more! So he’s chronicled his extensive research into Hollywood’s vast archives of interviews on the often taboo subject of sexual diversity into his 26^th book titled, “Inside the Hollywood Closet: A Book of Quotes.” Hadleigh (aka “Boze Hadleigh Garcia”– son of a Mexican mother) curated a century’s worth of gay commentary into a smooth 191 pages, that offers a piercing look into Tinsel Town’s tumultuous love/hate affair with queer culture.  

Hadleigh, Bette Davis‘ biographer Boze Hadleigh, puts together an interesting and insightful collection of observations and anecdotes by and about Hollywood’s biggest players. Only this time the curtains are pulled on their sexual preferences, revealing a cast of characters, gay and bisexual — some you’ve heard about, others quite unexpected. 

Told in a series of quotes from stars such as Colin Farrell, Doris Roberts, Adam West, Elizabeth Taylor, Elton John, Paul Lynde, and Sandy Dennis, it is split into four chapters: “Playing the Game,” “Out and Outing,” “Loving in Private,” and “Dishing in Public.” Each chapter is prefaced by Hadleigh, who speaks with pride and purpose about his subject. 

“What was too often deemed scandalous can now be disclosed without destroying a career. More and more, diversity and difference-not just how people look, but how they love-are acceptable. The main point here is that as human beings and yes, actors … every LGBT+ individual should be the star of their own life, on their own terms, dwelling in honesty and safety, free from hate, persecution and discrimination…” Bravo, Boze!

That said, there is also lots of fun bitchiness in this juicy collection: “Only in America can a poor black boy like Michael Jackson grow up to become a rich white woman.” – Red Buttons.

“He [the Duke of Windsor, former king of England] pretends not to hate me, but he does, and it’s because I’m queer and he’s queer but unlike him I don’t pretend not to be” – Sir Noel Coward. 

But equally eye-opening are the many sweet moments that fill the pages, offering hope for a more open, loving, and honest world. 

“It is time to live and let love.” – Lynn Redgrave. 

“It’s a fairly small minority compared to the whole. So we must enlist the backing and acknowledgment of our families… and what family doesn’t have a LGBT member, even if not in the immediate family? All of us need to stand up to homophobia-in politics, religion, entertainment or elsewhere.”- Amy Winehouse.

“I have three sons, I dearly love them all. But my gay son is the apple of my eye.” – Sally Field.
You don’t have to be queer to enjoy the gay buffet presented by “Inside the Hollywood Closet: A Book of Quotes.” Readers interested in our growing acceptance of humanity’s sexual spectrum will find it relevant and inspiring. A great holiday gift for any cinephile, it’s available at RiverdaleAvenueBooks.com, as well as amazon.com.

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