Cueva, who is also the producer of Angel Baby, takes us on a rollercoaster of emotions as she navigates her way through grief and terror. Meanwhile, Val meets a mysterious neighbor (Chris Browning) desperately searching for the truth, and with the help of Maggie, the local bar owner (Rebecca DeMornay), she gains the strength to face what is tormenting her peace, leaving the audience cheering for her in the final act. 

Angel Baby is a film that, though delivering plenty of jump scares and terrifying musical cues, balances cinema horror with the deeper themes of grief and ultimately, acceptance.

Angel Baby is produced by Cueva of Cave Entertainment, and financed by Fearful Pictures. Cueva founded Cave Entertainment to make ground-breaking female-driven films and television shows focused on Latino, indigenous, and underrepresented voices. With the USC Annenberg

Inclusion Initiative report, released in October 2023, revealing that across 16 years, 3.1% of “Produced by” credits went to a Latino or Hispanic individual with “Women” representing less than 1% overall. Less than one-quarter of one percent (<0.25%) of all speaking roles went to Native American characters across the 16 years studied. In fact, the percentage of Native American roles did not exceed 1% across any of the years evaluated. There was only 1 film with a Native actor in the leading role.

Angel Baby is coming to select Theaters in the US and On Demand Dec 15. The film is distributed by Quiver Distribution in North America and Canada. The screenplay is written by Elisa Manzini (I’ll Be Waiting) and Rebecca Stahl (Everything in Between). Whitney Anderson (Holland, Michigan) and Chris Browning (Bright) also star in the film. Cinematographer is Alvaro Martin Blanco, Production Designer is David Hartwell, Composer is Max Di Carlo, Costume Designer is Elaine Lin.

The post REVIEW: “Angel Baby” delivers thrills and chills  first appeared on .

By Justina Bonilla

Five years after its initial release, Knock Knock, which stars Hollywood royalty Keanu Reeves and, at the time, relative newcomers Ana de Armas and Lorenza Izzo, has gained a resurgence in popularity thanks to Netflix.

Netflix released Knock Knock on October 28 and immediately it shot up to the #2 spot on its top ten list of films trending in the United States. Director Eli Roth reacted to this on his Instagram with an ecstatic, “This is incredible.” Adding, “Out of nowhere. Thank you everyone for watching.”

Knock Knock is an erotic home invasion horror/thriller filmed in 2015 in Chile. It’s Roth’s third writing collaboration with Uruguayan director/producer/writer Guillermo Amoedo. Their first two other films include Aftershock and The Green Inferno. Two of the actor who appeared in these films Aaron Burns (The Green Inferno) and Ignacia Allamand (The Green Inferno, Aftershock) were tapped to also star in Knock Knock at the time.

In this psychological thriller we meet Evan (Keanu Reeves), a dedicated middle-aged father who loves his wife and two young children, but is dissatisfied with his current situation. One rainy night, while his family is away for the weekend, two wet and lost young women, de Armas and Izzo, show up at his front door asking for directions. Evan opens his home to them with good intentions only to eventually fall for their charms and have a lapse in judgement. In the morning the women refuse to leave, proceeding to drag Evan into hell on Earth.

The style of horror seen in Knock Knock was the first major cinematic departure Roth had taken from his signature style of vivid gore and graphic violence known as “torture porn.” Knock Knock instead emphasized psychological horror, through the torturing of Evan by the two young women, with a dose of physical violence.

This film was a remake of the 1977 film Death Game (also known as The Seducers), which starred Colleen Camp and Sondra Locke, who were also producers on Knock Knock.

Knock Knock was de Armas’ first cross-over into English-language film and her introduction to U. S. audiences. Prior to this de Armas, who was born in Cuba, had mainly worked in films and television in Spain. Once she caught the attention of Hollywood, de Armas landed a plum role in Blade Runner 2049. She received a Golden Globe nomination for her performance in her follow-up film Knives Out (2019), where she starred alongside Daniel Craig. She then went on to once again star alongside Craig when she was cast as “Bond Girl” Paloma in No Time to Die. Her biggest role to date will be playing the title role of Norma Jean AKA Marilyn Monroe in the upcoming film Blonde which is being produced by Brad Pitts’ production company, Plan B.

Chilean actress Izzo began her acting career in two popular Chilean romantic comedies. Her first English speaking role was in Aftershock. She later worked in the films Green Inferno and the Oscar-winning Once Upon a Time in Hollywood, as well as on television in the Showtime limited series Penny Dreadful: City of Angels.

A unique suspenseful horror film, Knock Knock explores the diversity of modern Latin horror cinema.

With Knock Knock adding to Netflix’s roster and Latino themed films, domestic and international, it only broadens their major international influence for promoting Latino content and talent.

The post ‘Knock Knock’ Re-release Surges in Popularity on Netflix first appeared on .