By Judi Jordan

The American Film Market® staged a bold and forward-looking comeback this year, roaring back into Los Angeles with 6,132 attendees representing 83 countries and filling every corner of the Fairmont Century Plaza with energy, opportunity, and the unmistakable sense that global independent cinema is entering a new era. With 285 companies from 35 nations, the sold-out exhibition floor reaffirmed AFM’s reputation as the must-attend global marketplace — and Latin America, Spain, and U.S. Latino creators were unmistakably in the mix.

One of the biggest additions to AFM 2025 was the new Innovation Hub, produced in collaboration with Marché du Film / Cannes Next. The Hub brought together nine cutting-edge companies, anchoring AFM’s first-ever AI-driven programming series. These sessions tackled everything from ethical AI deployment to creative automation and distribution disruption — with panelists urging independent filmmakers, especially those from underrepresented communities, to stay ahead of the technology that’s reshaping global storytelling. For Latino creatives, this wasn’t a warning — it was a roadmap.

Another high-impact moment came with the spotlight on Navarra, Spain, presented by Arturo Cisneros and Beatriz Acinas. In one of the Market’s liveliest and most strategically important sessions, the duo introduced Navarra as Europe’s next breakout production hub, bolstered by muy generoso incentives, collaborative government support, and a streamlined co-production structure ideal for cross-border Spanish-language storytelling. With Mexico, Brazil, Argentina, and the U.S. Latino sector increasingly expanding into prestige TV, genre, and epic drama, Navarra’s pitch resonated as more than financial — it felt like a cultural bridge. The addition of the new Creators’ Lounge provided the perfect atmosphere for these conversations to turn into collaborations on the spot.

Latino presence wasn’t limited to the exhibitor floor — it made powerful waves onstage as well. Latino leadership also dominated the conversation onstage. The “Crafting the Narrative…” panel featured words of wisdom-getting greenlit from Lourdes Diaz (AGC Studios, former President of Entertainment at Univision). The session “Latinos Navigating Hollywood” assembled a powerhouse panel including Director Jay Torres, TV Writer/Author Rafael Agustín, Director Patricia Riggen (Miracles From Heaven), Producer Yolanda Macias (Terrifier 3), Robert Muñoz, Their discussion was frank, incisive, and deeply reflective of the moment: despite Latinos’ massive audience share and growing critical acclaim, greenlighting power and financing still lag far behind. But every panelist emphasized momentum — not deficit.

They spoke of rising transnational collaborations, an explosion of Latino genre and prestige storytelling, and the increasing refusal of Latino creators to wait for permission. The message was clear: the talent is here, the global Spanish-language audience is here, and Hollywood’s inaction is now costing it financially and creatively.

Buyers from Mexico, Brazil, Spain, Colombia, Chile, and the U.S. Latino sector fueled the marketplace, underscoring how Spanish-speaking regions are shaping global content demand across streaming, theatrical, and hybrid distribution. By the close of the Market, one truth resonated louder than any keynote: Latino creators are no longer an underserved sidebar — they are central to the future of the global indie landscape. AFM’s return to Los Angeles simply made it impossible to ignore.

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By Bel Hernandez Castillo

What is a Chicano?

In his 1970 Los Angeles Times essay What Is a Chicano? And What Do Chicanos Want?, the late, award-winning journalist Rubén Salazar defined a Chicano as “a Mexican-American with a non-Anglo image of himself.”

Chicanos are boldly authentic and now raising their voice proudly, creating content that is authentically theirs. What better event to showcase their creativity than the Chicano Hollywood Film Festival. over 100 film and TV projects will be in full display at the first annual Chicano Hollywood Film Festival which takes place July 17–20, 2025, at The Union (350 Garey Ave, Pomona, CA). 

The brainchild of ex-pastor and producer Johnny Murillo, the festival, (planned before the immigration raids began) will brazenly launch in spite of the ICE raids which are targeting undocumented farm laborers across Southern California. The festival positions itself as both a cultural celebration and a platform for protest—amplifying the stories, struggles, and strength of the Chicano and Latino communities. 

Opening the film festival will be The Last Brown Beret, a gripping and timely feature directed by Del Zamora abd based on the play by writer/director Alfredo Ramos. The film revives the legacy of the Brown Berets, Civil Rights activists whose fight for justice in the 1960s echoes today’s urgent need for protection, dignity, and unity within the Chicano community amid fear of raids, riots, and mass arrests. 

“This festival isn’t just about watching films—it’s about answering the call,” said Johnny Murillo, founder of Chicano Hollywood. “The Brown Berets stood up for our people. It’s time to do the same—with cameras, stories, and truth.” 

In addition to spotlighting powerful features, the Chicano Hollywood Film Festival will showcase over 90 short films, television pilots, music videos, and digital projects from emerging Chicano/Latino filmmakers across the U.S. and Latin America. The diverse lineup highlights stories of identity, resistance, humor, and healing. 

Featured films include: 

— Ugly Little Monkey – A powerful documentary produced and co-directed  by Chicano legend Enrique Castillo (Montana in Blood in Blood Out) and David Valdez, exploring the journey of the first Youth Mariachi in the U.S. whose trauma lead to healing through the music of Mariachi.  

— Horchata With Oat Milk – A viral, culture-clash comedy directed by Christian “LV” Leyva, addressing the issue of gentrification and offering fresh laughs with a Chicano twist.  

— A Little Family Drama – A layered and emotional dramedy directed by Nadia Zoe that brings generational conflict to light.  

— Cholita Takes LA – Directed by Sylvia Ray, a bold exploration of female empowerment within Chicana culture and a Bolivian Cholita Wrestler seeking identity.  

— Lost in the Barrio – Directed by Alberto Portillo, a gritty, heartfelt story of survival and loyalty in the urban neighborhood. Starring Fabian Alamar (Flamin’ Hot).  

Festival goers can also expect live “DJ” sets, Q&A panels, networking events, and the launch of the Chicano Hollywood Academy, an initiative to train the next generation of Latino creatives in acting, directing, production, and content monetization. 

The Chicano Hollywood platform was created to elevate the  Chicano voice in every space of culture, Chicano Hollywood is a groundbreaking media and cultural movement committed to empowering Chicano and Latino content creators. Through film, education, and strategic partnerships, it seeks to amplify underrepresented voices and reimagine representation in Hollywood and beyond.

“This is the first of many,” said Festival Director, Francisco Roel. “We’re building a movement where Chicanos and Latinos own their stories, their space, and their future in entertainment.” 

Press, Tickets & Festival Schedule:
Visit www.ChicanoHollywood.com  

The post The Chicano Hollywood Film Festival Boldly Going Where Other Festivals Have Not first appeared on .

If anyone can bring attention to the dynamics of what it is to be a US Latino in America on a national scale, its John Leguizamo. It is what he has basically done all his career, only this time it will be the focus of a new six-part TV series from NBC News Studios, Leguizamo Does America, which he hosts and will begin airing Sunday, April 16 at 10 PM (ET) on MSNBC.

Each episode will feature a different city where Latinos have a large presence, or in the case of Los Angeles are almost 50% of the population. He will be visiting six cities in total, New York, Miami, Washington, Chicago, Los Angeles, and Puerto Rico, and we interview some high profile Latinos about what it’s like to be a U.S. Latino and the culture.

If you are a fan of Leguizamo, you know his acting career includes stage, TV and film you know his work from some of his more high profile roles in To Wong Foo, Thanks for Everything! Julie Newmar (1995), Moulin Rouge!, and more recently The Menu.

But it was through the theater that Leguizamo got the attention of audiences with his half-dozen his one-man shows on Broadway (and off Broadway). His topic most generally were bio-autobiographical or he would spoof his family and friends.

In 1991, Leguizamo wrote and performed in the Off-Broadway production mostly focused on is life and being Latino. In Mambo Mouth, he played seven different characters and went on to win an Obie Award and an Outer Critics Award. He was listed as one of 12 “Promising New Actors of 1991” by John Willis’ Screen Worlds. His next theater production was Spic-O-Rama, where he made fun of the stereotyping of Latinos in the United States, several of his shows became HBO specials as well as Freak. In 2002, he wrote and performed Sexaholix… A Love Story. His most current theater piece was in 2017, when he debuted Latin History for Morons a show about the participation of Latin Americans throughout US history. It was also in 2017 that he was presented with a Special Tony Award for his body of work and for his commitment to bringing diverse stories and audiences to Broadway for three decades.

And Leguizamo he takes his affinity for setting the record straight on the contribution of US Latinos seriously, hence the latest of his projects where Latinos are front and center.

In Leguizamo Does America, which premieres this Sunday, April 16 at 10pm (ET) on MSNBC Leguizamo travels across the country to celebrate the rich and diverse Latino cultures in six different destinations, exploring food, politics, music, and everything in between along the way.

Director Ben DeJesus (Latin History for Morons), a frequent collaborator of Leguizamo directed the series said in a recent NBC article, “It’s a lot of Latin themes and people, but this is really a show for all kinds of audiences”. He also credits the show as being a “life-changing” experience for him.

Find MSNBC on Facebook: http://on.msnbc.com/Likemsnbc Follow MSNBC on Twitter: http://on.msnbc.com/Followmsnbc Follow MSNBC on Instagram: http://on.msnbc.com/Instamsnbc #MSNBCFilms #JohnLequizamo #Latino

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Mercedes is a Dominican-American transplant from New York City, now living in Los Angeles. Her acting career includes appearances and stints on some of television’s most noted shows including 9-1-1 (FOX), Good Trouble (Freeform), HBO’s The Affair and Criminal Minds (CBS). She also recently wrote on NBC’s Perfect Harmony. 

Grand Crew is set around a group of young professionals trying to navigate the ups and downs of life and love in Los Angeles—always finding time to gather at their favorite bar to “wine down” and unpack it all. The premise, which has proven successful in past series, has Mercedes playing Fay, a recently divorced transplant to Los Angeles who becomes fast friends with the regulars at Eastside Cru. It is refreshing to see an Afro-Latina cast, whether she plays Latina or not. She joins the previously announced cast members Nicole Byer (Tuca & Bertie), Justin Cunningham (When They See Us), Aaron Jennings (Stumptown), Echo Kellum (Arrow) and Carl Tart (Kenan).

In addition to Mercedes recently adding writing to her resume, during the pandemic she executive produced and wrote the podcast Not (Blank) Enough in which she hosted candid conversations with her guests about insecurities and triumphs related to feelings of “not-enoughness.” Season 2 was released in June of 2021.

Mercedes is a former improviser and sketch comedy actor and an alumna of both iO West and UCB. She is repped by CAA and Katie Newman at 3 Arts Entertainment

Grand Crew is produced by Universal Television, a division of Universal Studio Group. 

Featured Photo Credit: Brecht Van’t Hof

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Color television was an improvement on monochrome television, a 1926 invention by the Scottish engineer John Logie Baird. Called grayscale, Baird’s system became obsolete with the rapid evolution of other electronic systems in Great Britain and the United States.
Color television worked by diffusing three black-and-white images to each of the three primary colors of light: red, green and blue (RBG). When brought together at a sequential speed, the images intermingled, producing a full-color image, which viewers see from their home.

The person responsible for this idea was the Mexican engineer and researcher Guillermo González Camarena, who called his invention STSC (Trichromatic Sequential Field System, by its initials in Spanish) in 1940. The United States granted him the patent in September 1942.
Color television was a huge step forward for the entertainment industry. *** La televisión a color fue un gran paso en el mundo del entretenimiento. (Simone Daino/Unsplash)

“As a teenager, he built a radio transmitter,” said Porfirio Rosas, an engineer and former professor at the Universidad Veracruzana. “He visited Tepito and La Lagunilla [flea markets in Mexico City.] Where others saw garbage, he found pieces for his inventions. We know that he was a radio operator and that his engineering studies sparked his interest in television, which was a novelty at the time.”
Peter Carl Goldmark, a Hungarian inventor working for the Columbia Broadcasting System, applied for a patent for his television system on September 7, 1942, but it was not granted until August 1949.

“González Camarena invented color television to enhance his personal gear, but he took his discovery to a further level. At age 23, he revolutionized the telecommunication world from his basement,” said Rosas.

Scientists from many countries suggested developments on González Camarena’s original idea, and he presented improvements to his patent in 1958.
Television broadcasting networks updated their systems between the 1960s and 1980s.
(Translated and edited by Gabriela Olmos. Edited by Fern Siegel.)

The post Picture Perfect: Mexican Engineer Invented Color Television appeared first on Zenger News.

The post Mexican Engineer Invented Color Television first appeared on .

Latin Heat Media Services

Omni Cultural TV Fest (OCTVF) in partnership with NATPE launches its second annual television festival showcasing more than 60 selections of thousands received from diverse content creators worldwide. The Omni Cultural TV Fest, all-day event on Tuesday, December 8, 2020, is a unique platform for independent producers of all cultures worldwide to showcase new ideas for television and over-the-top (OTT) platforms, offering content creators the opportunity of presenting their original work in front of legitimate buyers.

OCTVF co-founders Kiki Melendez and Cindy Cowan pivoted to online as production and special events came to an abrupt halt this year due to COVID-19. The innovative OCTF team found a way to execute this year’s festival using an interactive and animated virtual platform The Omni Cultural TV Fest is designed to connect independent producers, creators, and talent through innovative networking activities and panels and the screening of their projects to content buyers.

This year’s OCTVF will build on the success of the 2019 inaugural event at the Egyptian Theater in Hollywood which attracted over 2K attendees. For this year’s edition, Omni Cultural TV Fest has joined forces with Southern California’s nonprofit organization S.T.R.E.A.M. Global Innovations, creators of the “virtual world” platform that will allow content to be streamed live offering interactive access to all festival guests. 

Last year’s OCTVF festival was instrumental in getting five projects distributed through ShortsTV,  a distribution deal for our comedy special winner from Comedy Dynamics, a movie deal with  Maverick Entertainment, and pitch meetings with GRB, Disney, and All 3 Media, and requests to view participants’ content from prominent networks and studios.

Attendees will participate in the 2020 Omni Cultural TV Fest from the comfort and safety of their own homes. Using their computer or smart device, they will create their avatar to “walk” through the sponsor expo, attend panel discussions and screenings and award shows, and even dance at the after party. Guests will be able to ask questions, talk to one another, set up private meetings and networking as if they were at the live festival. They will also get the latest intel on technology and production trends.

“We are excited to partner with S.T.R.E.A.M. Global on this year’s festival. First, we are supporting a nonprofit that promotes youth empowerment in technology, and second, we are offering our attendees a superior networking experience,” said Melendez, Omni Cultural TV Founder and CEO of Latin Hollywood Films. 

“I am so eager to execute this year’s Omni Cultural TV Fest! Our selections are superb, and we are doing something completely unique and positive for our creative community around the world. This will be a must-attend event,” said Festival Director and CEO of Anannke Entertainment, Elvia Barboa.

This year’s panels will be programmed by veteran executive Jenean Atwood Baynes and will include: Writing for Television, Perfecting the Pitch, Directing, New Media, Worldwide Distribution, Capturing the Latino Market, Surviving COVID in Hollywood and Celebrating Diversity with today’s top entertainment movers, shakers and change agents. The line-up is impressive with professionals from the industry’s ecosystem participating on panels and some serving as judges on our Blue-Ribbon panel.

 “We have been showcasing vetted producers with show teasers through our Omni Cultural TV Fest Virtual Pre-Shows all summer, now it is time for the world to see their work,” said festival Co-Founder Cindy Cowan.

For tickets go to: www.OmniCulturalTvFest.com  or at Eventbrite.

OCTVF has received support from Nickelodeon, Viacom, A&E, Lifetime, The History Channel, The Nacelle Company, CBS Diversity, NBC/Telemundo, Spectrum TV1, WIF, NYWIFT, Greenlight Women, HRTS and Vimeo.

YouTube:   https://www.youtube.com/channel/UCLHvz5-XcDZkL1etwIH7vBQ
Facebook: https://www.facebook.com/OmniCulturalTVFestLA/ 

Instagram: https://www.instagram.com/omniculturaltv   

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Chairman Castro recently published an op-ed in Variety on why Latino representation matters and the case for government intervention in the industry. This hearing would not be possible without the support of the Congressional Black Caucus and Congressional Asian Pacific American Caucus. We hope this is the first hearing of many on the issue of diversity in media and entertainment.

The hearing is open to the public and can be viewed HERE

Established in 1813, the House Judiciary Committee is the second oldest standing committee in Congress. Today, the Committee is at the forefront of some of the most significant issues facing our nation, including protecting Constitutional freedoms and civil liberties, oversight of the U.S. Departments of Justice and Homeland Security, legal and regulatory reform, innovation, competition and anti-trust laws, terrorism and crime, and immigration reform. The Committee has jurisdiction over all proposed amendments to the Constitution, and each of its subcommittees has roots in that document. The House Judiciary Committee usually sends the greatest number of substantive bills to the House floor each year.

“The media and Hollywood are the narrative-creating and image-defining institutions of American culture, yet for far too long Latinos have been hardly represented, and often depicted as stereotypes. This erasure has a high cost: today there is dangerous nexus between the racist political rhetoric and the images that people see on their screens of Latinos as criminals and as threats to society,” said Chairman Joaquin Castro, Congressional Hispanic Caucus.  “I appreciate Chairman Nadler and the House Judiciary Committee for holding this important hearing, especially during Hispanic Heritage Month. “Diversity and representation are not just about jobs, but also shape the perception of our communities.”

Witnesses who will be testifying include (in this order). 

Ms. Erika Alexander, Actor/Director/Producer and Co-Founder & Chief Creative Officer, Color Farm Media

• Alexander Truth in Testimony [PDF]
• Alexander Bio [PDF]

Mr. Daniel Dae Kim, Actor and Producer

• Kim Truth in Testimony [PDF]
• Kim Bio [PDF]

Mr. Edward James Olmos, Actor and Producer

• Olmos Truth in Testimony [PDF]
• Olmos Bio [PDF]

Dr. Stacy L. Smith, Associate Professor of Communication and Founder and Director, Annenberg Inclusion Initiative Annenberg School of Communication and Journalism, University of Southern California

• Smith Truth in Testimony [PDF]
• Smith Bio [PDF]

Ms. Karyn A. Temple Esq., Senior Executive Vice President and Global General Counsel, Motion Picture Association, Inc.

• Temple Truth in Testimony [PDF]
• Temple Bio [PDF]

Ms. Joy Villa, Recording Artist, Actor, and Author

Mr. Jason Whitlock, Sports Journalist

Ahead of the hearing, Tri-Caucus Chairs and Latino community leaders released the following statements before the House Judiciary Committee hearing on Diversity in America: The Representation of People of Color in the Media.

The post House Judiciary Hearing: Speaking Up For Multi-Colored Media first appeared on .

¡HOLA! TV is now available and providing Latin media to more Latin households across the U.S. After reaching an agreement with Charter Communications, the station was integrated into Charter’s Spectrum TV “Mi Plan Latino” and “Latino View” packages on July 1st.

¡HOLA! TV  continues its expansion into the U.S. Hispanic market, where it already has a presence with the main operators making its original and quality offer a standard, especially in matters related to the royal families around the world, fashion, celebrities and lifestyle.

“We are pleased to enter into a programming relationship with Charter, which allows us to strengthen Hola TV in a very competitive market and offer our high-quality original programming to even more U.S. viewers,” Marcos Pérez, CEO and General Manager of ¡HOLA! TV, said in a statement.

¡HOLA! TV will  provide viewers with more than 700 hours of original production. It premiered on Spectrum with LA HORA ¡HOLA! which features the latest news on celebrities, fashion and royalty; new installments of Top Estilo, dedicated to the red carpets for leading awards, premieres and galas, and the weekly airing of Coronas y Palacios, a tour of the world of royalty, taking a closer look at the lives of royals.

The post ¡HOLA! TV Added To Spectrum, Strengthens Presence In The US first appeared on .

HBO Latino, the Spanish-language premium channel, is contributing to the increased visibility of Latinos in comedy with its newest comedy special Entre Nos: The Winners.

The winners of the Latinos Stand-Up! comedy competition – Mark Viera and Alex Carabaño – take center stage in this new edition of the stand-up comedy special. Entre Nos: The Winners debuts on Friday, June 19 (9:30-10:00 p.m. ET/PT) and will be available to stream on HBO GO, HBO NOW, and on HBO via HBO Max and other partners’ platforms.

Comedians Viera (dubbed by many as the Latino Bernie Mac) and Carabaño (co-owner of New York’s longest-running Latin vegan restaurant, VSPOT) perform in front of a live audience in the latest edition of HBO Latino’s Entre Nos stand-up specials. Entre Nos: The Winners feature the two comedians who won a stand-up comedy competition held in conjunction with the New York Latino Film Festival, with Viera and Carabaño coming out on top. In these sets, Viera talks about our smartphone life vs. “the beeper life” of his younger days, getting in trouble from innocent social media posts, and the “delete delete box”, while Carabaño shares anecdotes about being short, astrology and dating, and having a family that doubted his heterosexuality. Let these two winners win you over in this exclusive comedy special.

This is an edition of HBO Latino’s Entre Nos comedy shows all available on HBO digital platforms including HBO Max. Entre Nos, parts one and two premiered in 2017; Entre Nos, parts three and four, as well as Entre Nos: The Series, and Orlando Leyba: Adorable in 2018, Entre Nos: Spot On, Jerry Garcia: It’s Not My Weekend, Entre Nos: Gina Brillon: Easily Offended, Entre Nos Presents: Erik Rivera: Super White, and Entre Nos Presents: Nick Guerra: Love Me At My Worst.

Stay tuned for more details on the 2nd annual Latinos Stand-Up! annual comedy competition. Also, connect with HBO Latino’s latest news and updates, to view videos and get sneak peeks of behind-the-scenes footage on Facebook, YouTube, Instagram, and Twitter.

The post HBO’s Latest Comedy Special Entre Nos: The Winners Debuts June 19 first appeared on .

The 2020 Daytime Emmy Awards, will be airing live on television, on CBS, June 26, 2020. However, due to COVID-19, this year’s awards ceremony will be virtual. Hosting this year’s virtual awards ceremony is veteran Daytime Emmy host Mario Lopez.

The multi-talented Lopez, looks to be everywhere at once. While the Access Hollywood co-host just finished filming the Saved by the Bell reboot for the NBC Universal streaming service Peacock TV, Lopez is currently in Carson City, Nevada, filming the Lifetime’s Christmas rom-com Feliz NaviDad. This is one of the first movie sets to begin shooting since the initial Covid-19 outbreak. Lopez will be hosting the first televised Daytime Emmy Awards show, after a five-year on-screen hiatus.

Along with Lopez, Latino representation is visible as nominees in a diversity of categories from animation to talk show programs.

Highlighted Latino nominees/nominated Latino shows include:

Access Hollywood (Lopez)

Outstanding Entertainment News Show

Carmen Sandiego:

Outstanding Casting for an Animated Series or Special

Outstanding Directing for an Animated Program

Outstanding Sound Mixing for an Animated Program

Outstanding Special Class Animated Program

Café CNN

Outstanding Morning Show in Spanish

The Casagrandes

Outstanding Main Title for an Animated Program

Despierta America

Outstanding Morning Show in Spanish

Destinos

Outstanding Entertainment Program in Spanish

El Corazon de Sergio Ramos

Outstanding Entertainment Program in Spanish

Outstanding Main Title and Graphic Design for a Live Action Program

Outstanding Sound Editing for a Live Action Program

Elena of Avalor

Outstanding Casting for an Animated Series or Special

Outstanding Directing for a Preschool Animated Program

Outstanding Music Direction and Composition

Outstanding Original Song in a Children’s, Young Adult or animated Program

Outstanding Sound Editing for a Preschool Animated Program

Outstanding Sound Mixing for a Preschool Animated Program

Outstanding Writing for a Preschool Animated Program

Elena of Avalor: The Magic Within

Outstanding Special Class Animated Program

El Gordo y la Flaca

Outstanding Daytime Talent in a Spanish Language Program (Katrina Banda)

Outstanding Daytime Talent in a Spanish Language Program (Tanya Charry)

Outstanding Daytime Talent in a Spanish Language Program (Oscar Petit)

Outstanding Daytime Talent in a Spanish Language Program (Gelena Solano)

LOL: Last One Laughing

Outstanding Daytime Talent in a Spanish Language Program (Eugenio Derbez)

Outstanding Entertainment Program in Spanish

Nuesto Mundo

Outstanding Entertainment Program in Spanish

The People’s Court (Marilyn Milian)

Outstanding Legal/Courtroom Program

Un Nuevo Dia

Outstanding Morning show in Spanish

Vera’s Latin America: Panama

Outstanding Directing for a Singe Camera Daytime Program

The View (Ana Navarro)

Outstanding Informative Talk Show

Outstanding Informative Talk Show Host

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